Operating on the fringes of the jazz establishment since the early 1990s, under-sung saxophonist Allen Lowe has earned meritorious praise for his distinctive efforts. It is his academic writings documenting the history of American folk music that have garnered him the most widespread critical acclaim however. Lowe's first foray into roots music, his 1994 album Dark Was the Night--Cold Was the Ground (Music and Arts), reconciled modernism with tradition, consequently inspiring his interest in scholarly dissertations like American Pop from Minstrel to Mojo: On Record 1893-1956 and That Devilin' Tune: A Jazz History 1900-1950. No stranger to ambitious projects, Lowe's recent excursion into the blues, the wryly titled 3 disc set Blues and the Empirical Truth, encapsulates myriad variations on the timeless form. Expertly realized by a rotating roster of talent, the diverse line-up features all-stars like
Marc Ribot,
Roswell Rudd and
Matthew Shipp working alongside a handful of lesser-known, but talented local musicians from Lowe's adopted hometown of Portland, Maine...